Four months later, Mr. Lorry, now a trusted
friend of the Manette family, arrives at Doctor Manette’s home. Finding
Manette and his daughter not at home, he converses with Miss Pross. They
discuss why the doctor continues to keep his shoemaker’s bench.
Their conversation also touches on the
number of suitors who come to call on Lucie. Miss Pross complains that
they come by the dozen, by the hundred—all “people who are not at all
worthy of Ladybird.” In Miss Pross’s opinion, the only man worthy of Lucie
is her own brother, Solomon Pross, who, she laments, disqualified himself
by making a certain mistake. Lorry knows, however, that Solomon is a
scoundrel who robbed Miss Pross of her possessions and left her in poverty.
He goes on to ask if Manette ever returns to his shoemaking, and Pross
assures him that the doctor no longer thinks about his dreadful
imprisonment.
Lucie and Manette return, and soon Darnay
joins them. Darnay relates that a workman, making alterations to a cell in
the Tower of London, came upon a carving in the wall: “D I G.” At first,
the man mistook these for some prisoner’s initials, but he soon enough
realized that they spelled the word “dig.” Upon digging, the man
discovered the ashes of a scrap of paper on which the prisoner must have
written a message. The story startles Manette, but he soon recovers.
Carton arrives and sits with the others
near a window in the drawing room. The footsteps on the street below make
a terrific echo. Lucie imagines that the footsteps belong to people that
will eventually enter into their lives. Carton comments that if Lucie’s
speculation is true, then a great crowd must be on its way.